(Am) (Bm) (Am) (Bm) (Am) (Bm) (Am)
Oh, well imagine, as I\'m pacing the pews in a church corridor,
(Bm) (Am) (Bm) (Am)
and I can\'t help but to hear, no I can\'t help but to hear an exchanging of words:
(Bm) (Am) (Bm) (Am) (Bm)
\"What a beautiful wedding! What a beautiful wedding!\" says a bridesmaid to a waiter.
(Am) (Bm) (Am)
\"Yes, but what a shame, what a shame, the poor groom\'s bride is a whore.\"
(Am) (F) (Dm) (Am)
I\'d chime in with a \"Haven\'t you people ever heard of closing a goddamn door?!\"
(F) (C) (G) (Bm)
No, it\'s much better to face these kinds of things with a sense of poise and rationality.
(Am) (F) (Bm) (Am)
I\'d chime in, \"Haven\'t you people ever heard of closing a goddamn door?!\"
(F) (G) (C) (Bm) (G)
No, it\'s much better to face these kinds of things with a sense of...
[Mismos acordes - -> verso 1]
Well in fact, well I\'ll look at it this way, I mean technically our marriage is saved
Well this calls for a toast, so pour the champagne
Oh! Well in fact, well I\'ll look at it this way, I mean technically our marriage is saved
Well this calls for a toast, so pour the champagne, pour the champagne
I\'d chime in
(Bm) (G)
Again...
I\'d chime in \"Haven\'t you people ever heard of closing a goddamn door?!\"
(Bm) (G)
Again...