Everlast, What it\'s like
Zach
INTRO:
[play 4x]
(Dm) (F) (C)
e|--------3--1--3p1------------0-0-------0-0--|
B|------3------------3p0-------1---------1----|
G|----2----------------------2----------------|
D|--0----------------------3-----------2------|
A|-----------------------------------3--------|
E|--------------------------------------------|
CHORDS
[played through out lyrics as the changes are written. play the
rests by muting
the strings directly at the end of the note preceding the rest.
you might want to
cut the preceding note a little bit short]
[these probably don\'t have to be played exactly correct,
or as they\'re written, so as
long as you follow the changes it\'ll probably be fine]
(Dm) (FMaj7) (C) (Dm)
e|-1--1-1-|-0-0------0-----0-0--0-0------------0-0-0--0-1---1h3p1p0---1---1-1-|
B|-3--3-3-|-0-1-\\----1-----1-1--1-1-\\----1-----1-0-3--3-3---3---------3---3-3-|
G|-2--2-2-|---2-/----2-----2-2--0-0-/----0-----0---2------2---------2-----2-2-|
D|-0--0-0-|---3-\\----3-----3-3----2-\\----2-----2---0--------------------------|
A|--------|------------------------------3-----3------------------------------|
E|--------|-------------------------------------------------------------------|
p.m. p.m.
1st Verse
(Dm) (FMaj7) (C)
(Dm)
We-ve all seen the man at the liquor store beggin- for your
change
(FMaj7) (C) (Dm)
The hair on his face is dirty dreadlocked and full of mange
(FMaj7) (C) (Dm)
He asks a man for what he can spare with shame in his eyes
(FMaj7) (C) (Dm)
But get a job you fuckin- slob-s all he replies
(FMaj7) (C) (Dm)
God forbid you ever had to walk a mile in his shoes
(FMaj7) (C)
(Dm)
-Cause then you really might know what it-s like to sing the
blues
Chorus
(Dm) (FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
Yeah then you really might know what it-s like
INTERLUDE
(Dm) [ play as (Dm) with the additional fingerings & let ring,
even on slide. play the
the pull off pretty much as you slide. ]
e|------1-0----1-p-0-------3-0--|-----1-0----1-p-0-------5-3--|
B|------3-3----3---3-/-5---5----|-----3-3----3---3-/-5---5----|
G|----2------2-----------4------|---2------2-----------4------|
D|--0---------------------------|-0---------------------------|
A|------------------------------|-----------------------------|
E|------------------------------|-----------------------------|
e|------1-0----1-p-0-------3-0--|------1-0----1-0----1-0------|
B|------3-3----3---3-/-5---5----|------3-3----3-3----3-3------|
G|----2------2-----------4------|----2------2------2----------|
D|--0---------------------------|--0--------------------------|
A|------------------------------|-----------------------------|
E|------------------------------|-----------------------------|
2nd Verse
(Dm) (FMaj7) (C) (Dm)
Mary got pregnant from a kid named Tom who said he was in love
(FMaj7) (C)
(Dm)
He said don-t worry -bout a thing baby doll I-m the man you been
dreamin\' of
(FMaj7) (C) (Dm)
But three months later he say he won-t date her or return her
calls
(FMaj7) (C) (Dm)
And she swear God damn if I find that man I-m cuttin off his balls
(FMaj7) (C)
(Dm)
And then she heads for the clinic and she gets some static
walking through the door
(FMaj7) (C)
(Dm)
They call her a killer and the call her a sinner and they call
her a whore
(FMaj7) (C) (Dm)
God forbid you ever had to walk a mile in her shoes
(FMaj7) (C) (Dm)
-Cause the you really might know what it-s like to have to
choose
Chorus
(Dm) (FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
Yeah then you really might know what it-s like
BRIDGE
[pay Intro again 6x. chords listed below follow the timing of
the intro,
and not the regular progression]
(Dm) (FMaj7)
(C)
I-ve seen a rich man beg I-ve seen a good man sin I-ve seen a
tough man cry
(Dm) (FMaj7)
(C)
I-ve seen a loser win and a sad man grin I heard an honest man
lie
(Dm) (FMaj7)
(C)
I seen the good side of bad and the down side of up and
everything between
(Dm) (FMaj7)
(C)
I licked the silver spoon drank from the golden cup and smoked
the finest green
(Dm) (FMaj7)
(C)
I stroked the baddest dimes at least a couple times before I
broke they heart
(Dm) (FMaj7) (C)
You know where it ends Yo it usually depends on where you start
INTERLUDE
[ again ]
e|------1-0----1-p-0-------3-0--|-----1-0----1-p-0-------5-3--|
B|------3-3----3---3-/-5---5----|-----3-3----3---3-/-5---5----|
G|----2------2-----------4------|---2------2-----------4------|
D|--0---------------------------|-0---------------------------|
A|------------------------------|-----------------------------|
E|------------------------------|-----------------------------|
e|------1-0----1-p-0-------3-0--|------1-0----1-0----1-0------|
B|------3-3----3---3-/-5---5----|------3-3----3-3----3-3------|
G|----2------2-----------4------|----2------2------2----------|
D|--0---------------------------|--0--------------------------|
A|------------------------------|-----------------------------|
E|------------------------------|-----------------------------|
3rd Verse
(Dm) (FMaj7) (C)
(Dm)
I knew this kid named Max who used to get fat stacks out on
the corner with drugs
(FMaj7) (C)
(Dm)
He liked to hang out late he liked to get shit faced and keep the
pace with thugs
(FMaj7) (C)
(Dm)
\'Till late one night there was a big gunfight and max lost his
head
(FMaj7) (C)
(Dm)
He pulled out his chrome forty-five talked some shit and wound up
dead
(FMaj7) (C)
(Dm)
And now his wife and his kids are caught in the midst of all of
his pain
(FMaj7) (C)
(Dm)
You know it crumbles that way at least that-s what they say when
you play the game
(FMaj7) (C) (Dm)
God forbid you ever had to wake up to hear the news
(FMaj7) (C) (Dm)
-Cause then you really might know what it-s like to have to lose
CHORUS
(Dm) (FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like]
(FMaj7) (C)
(Dm)
Yeah then you really might know what it-s like [What it-s
like].....
To have to...
OUTRO
(Dm) (F) (C)
e|-------1-----1-----1-------|-------0-----0-----0-------|-------0------0-----0-----|
B|-----3---3-----3-----3-----|-----1---1-----1-----1-----|-----1---1------1-----1---|
G|---2-------2-----2-----2p0-|---2-------2-----2-----2p0-|---0-------0------0-----0-|
D|-0-------------------------|-3-------------------------|--------------------------|
A|---------------------------|---------------------------|-3------------------------|
E|---------------------------|---------------------------|--------------------------|
lose...
(Dm) (Dm) (F)
e|-------1-----1-----3-1-----|-------1-----1-----1-------|-------0-----0-----0-------|
B|-----3---3-----3-----------|-----3---3-----3-----3-----|-----1---1-----1-----1-----|
G|---2-------2-----2---------|---2-------2-----2-----2p0-|---2-------2-----2-----2p0-|
D|-0-------------------------|-0-------------------------|-3-------------------------|
A|---------------------------|---------------------------|---------------------------|
E|---------------------------|---------------------------|---------------------------|
(C) (Dm) (Dm)
e|-------0------0-----0-----|-------1-----3-------1-----|-------1-----1-----1-------|
B|-----1---1------1-----1---|-----3---3-----3---3-------|-----3---3-----3-----3-----|
G|---0-------0------0-----0-|---2-------2-----2---------|---2-------2-----2-----2p0-|
D|--------------------------|-0-------------------------|-0-------------------------|
A|-3------------------------|---------------------------|---------------------------|
E|--------------------------|---------------------------|---------------------------|
Decrescendo >------------>
(F) (C) (Dm)
e|-------0-----0-----0-------|-------0------0-----0-----|-------1-----1-----3-1-----|
B|-----1---1-----1-----1-----|-----1---1------1-----1---|-----3---3-----3-----------|
G|---2-------2-----2-----2p0-|---0-------0------0-----0-|---2-------2-----2---------|
D|-3-------------------------|--------------------------|-0-------------------------|
A|---------------------------|-3------------------------|---------------------------|
E|---------------------------|--------------------------|---------------------------|
--------------------------->--------------------------->------------------------->
(Dm)
e|-------1-----1-----1-------|
B|-----3---3-----3-----3-----|
G|---2-------2-----2-----2p0-|
D|-0-------------------------|
A|---------------------------|
E|---------------------------|
------------> fade to nothing....
ALTERNATE CHORD TABLATURE
The following are three more ways you can play the chord
changes through out the song.
They are each a bit more simple than the version listed at the
beginning. In actuality
all four of these version are played at different points in the
song. I have not tabbed
out every place they occur in the song because of how much space
it would take up. You can
play any or all them because they match the song and don\'t need
to be exact. Just hit the
changes on time.
(Dm) (FMaj7) (C) (Dm)
e|-1--1-1-|-0-0------0-----0--0-0-------0-0-0-|-0-1---1h3p1p0---1---1-1-|
B|-3--3-3-|-0-1-\\----1-----1--1-1-------1-0-3-|-3-3---3---------3---3-3-|
G|-2--2-2-|---2-/----2-----2--0-0-------0---2-|-----2---------2-----2-2-|
D|-0--0-0-|---3-\\----3-----3----2-------2---0-|-------------------------|
A|--------|-----------------------------3-----|-------------------------|
E|--------|-----------------------------------|-------------------------|
p.m.
(Dm) (FMaj7) (C) (Dm)
e|-1---1-|-0-0-------0-0--0-0------------0-0-0-|-0-1---1h3p1p0---1---1-1-|
B|-3---3-|-0-1-------1-1--1-1-\\----1-----1-0-3-|-3-3---3---------3---3-3-|
G|-2---2-|---2-------2-2--0-0-/----0-----0---2-|-----2---------2-----2-2-|
D|-0---0-|---3-------3-3----2-\\----2-----2---0-|-------------------------|
A|-------|-------------------------3-----3-----|-------------------------|
E|-------|-------------------------------------|-------------------------|
p.m.
(Dm) (FMaj7) (C) (Dm)
e|-1---1-|-0-0-------0--0-0-------0-0-0-|-0-1---1h3p1p0---1---1-1-|
B|-3---3-|-0-1-------1--1-1-------1-0-3-|-3-3---3---------3---3-3-|
G|-2---2-|---2-------2--0-0-------0---2-|-----2---------2-----2-2-|
D|-0---0-|---3-------3----2-------2---0-|-------------------------|
A|-------|------------------------3-----|-------------------------|
E|-------|------------------------------|-------------------------|
ALSO
Throughout each verse and chorus the (Dm) at the end of each
line [between lyrics] can be
played either of these ways [not sure which is right, but I
like the second one better]-
(Dm) (Dm)
e|--0-1----3p1--0-1-----| e|--0-1---1h3p1p0---1-|
B|--3-3----3----3-3-----| B|--3-3---3---------3-|
G|-------2--------------| G|------2---------2---|
D|----------------------| D|--------------------|
A|----------------------| A|--------------------|
E|----------------------| E|--------------------|
CHORDS NOTATION KEY
(Dm) (F) (C) Decrescendo -
gradually get softer
EADGBe EADGBe EADGBe p - pull off
xxo--- xx---- x--o-o
|||||1 ||||11 ||||1| h - hammer on
|||2|| |||2|| ||2|||
||||3| ||3||| |3|||| / - slide up
|||||| |||||| ||||||
\\
/ - rest - moment of silence of music
\\ [often
played by dampening strings]
p.m. - palm mute
[mute strings with palm of
pick hand]
for chord diagrams to left - EADGBe :string names
------
|||||| :1st fret
|23||| :number for finger
placements,
o - open string
x - string not played
in chord