Solo Guitarra con vibrato
(D) (G) (D)
Well, you wake up in the mornin, you hear the work bell ring,
(A) (D)
And they march you to the table to see the same old thing.
(G) (D)
Aint no food upon the table, and no pork up in the pan.
(A) (D)
But you better not complain, boy, you get in trouble with the man.
Coros:
(G) (D)
Let the midnight special shine a light on me,
(A) (D)
Let the midnight special shine a light on me,
(G) (D)
Let the midnight special shine a light on me,
(A) (D)
Let the midnight special shine a everlovin light on me.
(G) (D)
Yonder come miss rosie, how in the world did you know?
(A) (D)
By the way she wears her apron, and the clothes she wore.
(G) (D)
Umbrella on her shoulder, piece of paper in her hand;
(A) (D)
She come to see the govnor, she wants to free her man.
Coros:
(G) (D)
Let the midnight special shine a light on me,
(A) (D)
Let the midnight special shine a light on me,
(G) (D)
Let the midnight special shine a light on me,
(A) (D)
Let the midnight special shine a everlovin light on me.
(G) (D)
If youre ever in houston, well, you better (Do) the right;
(A) (D)
You better not gamble, there, you better not fight, at all
(G) (D)
Or the sheriff will grabya and the boys will bring you down.
(A) (D)
The next thing you know, boy, oh! youre prison bound.
Coros: CUATRO VECES [la tercera solo con bajo y rítmica]
(G) (D)
Let the midnight special shine a light on me,
(A) (D)
Let the midnight special shine a light on me,
Es version de ?Los Potes? de Santiago de Compostela